Name: Opeongo - our OO small body acoustic
Brand: MacKenzie and Marr Guitars
SKU: Opeongo
Price: 949.99 CAD
Availability: In Stock

Opeongo - our OO small body acoustic

A full sound in a small guitar doesn't cost thousands anymore

Availability:
In Stock

Our artisan-crafted small-bodied OO style all solid wood parlor acoustic guitar. With 12 frets to the body and a 1 3/4 inch wide neck, Opeongo harkens back to the golden age of the steel string guitar.

Crafted from solid AAA-grade Sitka Spruce and solid Mahogany. A small guitar with a big sound.

Back and sides of responsibly harvested solid African Mahogany (Kaya Ivorensis)
Topwood is solid AAA-grade Canadian Sitka Spruce
A hand-set dovetail joint ensures full projective voicing

Suggested Retail Price:

CAD $2,399.99

Your Price:

Price:	CAD $949.99

Building a small body guitar is easy. Building one worth listening to? Not so easy. And one that is a joy to play? Even tougher.

It took us two years of experimentation and samples before we finally created a 00 size solid wood acoustic we could call an authentic MacKenzie & Marr guitar. Calling upon two highly respected luthiers, we started by re-engineering the bracing. Highly sculpted X bracing supports the top without restricting the "acoustic trampoline" of the quarter sawn Sitka Spruce. The back and sides are solid African Mahogany (Khaya Ivorensis), which suits the geometry of a small body guitar perfectly. By engineering the neck of Opeongo to transmit acoustic vibrations along its length, telegraphing them to the slotted headstock, we've expanded the resonating chamber beyond the physical confines of the body.

The overtones and sustain created by the play of space and materials belie the small body size. Hearing the true"wood" voice of Opeongo and experiencing the projection of that voice for the first time throws everyone off. Playing Opeongo is even more of a joy. Twelve frets to the body (most guitars including our other models have 14 frets clear of the body) mean less stretching and more comfortable fingering. Even barre chords become pleasurable to play (pleasurable, in this case, being highly subjective because who among us enjoys barre chords?). The 1 3/4 inch fretboard width at the nut encourages accurate fingerpicking.

As with all MacKenzie & Marr Guitars, Opeongo comes with a limited lifetime warranty against any manufacturing and/or material defects. Play this guitar in the comfort of your own home for a week. If you don't fall in love with it, we'll take it back and issue a full refund, including shipping costs.

A hard shell case is included at no additional cost with every Opeongo guitar.

Owner Reviews

David from BAR HARBOR

Thu, 10/01/2020 - 09:58

Only good things to say about this fine instrument! Have had it awhile now and play it almost every day. My daughter has been staying with us for some of the quarantine times this Summer and had to pull it out of her their hands mare than a few times. The more it’s played, like most instruments the better and sweeter it sounds. Easier to play, barre chords and palm mute than my other steel string guitar.

Karl from Lowbanks

Mon, 09/21/2020 - 09:03

I played a little guitar 50 years ago and after retiring I bought myself a decent guitar for Christmas last year. I was quite enjoying learning to play again when I saw an ad for Mackenzie & Marr guitars and decided to go for it. What an awesome instrument. Its beautiful to look at,has great sound and is so easy to play, even barre chords. It's the one I always pick up so I sold my "decent" guitar

Richard from Conway

Thu, 09/10/2020 - 16:04

Got a buddy that was checking out your Ian Tyson model recently and wanted to know what I thought. "Beautiful guitar at a good price AND a return policy..BUY IT" was my reply while twisting his arm. Then I made the comment "If I ever bought one, I'd pick the Opeongo". After he ordered his guitar, which arrives in November he ordered ME the Opeongo which arrived last Thursday! When I opened the custom case I was struck by how beautiful it looked. The size, shape, slot head, and OMG THE TRIM ties everything together. Love the fact that it wasn't made to be cute or fancy. The very clean looking top will age well, bringing out the grain more. The open pore sides and back AND the overall lack of a high gloss reminds you that it IS crafted wood. I believe this also keeps the sound of the woods purer! Also the pick guard is thankfully NOT installed because it looks awesome without it and since I'm not a strummer, I don't need it. As I picked it up it was very light and balanced. With ANY instrument, getting into a good, useful playing position is crucial. The size and feel of the body and neck would feel comfortable on a couch or resting on the right leg BUT this isn't how I would suggest playing it. After playing it for a bit I noticed that holding it lighter, more in a classical position and away from my belly there appears another voice which adds so much to the overall dynamics. The sustain and volume is surprising and it's voices are versatile and unique. Depending how you play it, you can coax the sound to suit your needs. No...it isn't a heavy strummer or a hard flatpicking guitar but I was playing old timey music, classical, churchy, and blues with it sounding appropriate. The biggest surprise was when I used a capo! I noticed that it STAYS IN TUNE. I'm one of those nitpickers that hear when something is out of tune. I use the capo most of the time so I'm used to the "tricks" of sweetening the sound after the capo is put on. I was shocked when I didn't "need" to. The action is perfect and I can cleanly play things on the Opeongo that I cannot play on my other guitars. If I had my druthers I would like the neck to be an 1-7/8". If I had a better left hand position instead of a "hillbilly" wraparound thumb position I might feel differently. The shallow neck profile is enough different that I have to adjust for this. Wishlist: I think that a double high strung 12 string in this size would be an awesome instrument! My rating on the Opeongo out of 5 stars is a 4.99!

Frank from Bakersfield

Thu, 09/10/2020 - 10:59

As I stated in my prior message to you I am very well pleased with my OO Opeongo guitar. The workmanship is superb, it is a beautiful guitar, it plays good and it sounds great. One of the guys I play with played it & said he might have to buy him one. He has about 8 or 10 guitars already as do I. No, you can't have it back ! I was not notified by Fed-Ex when it was going to be delivered & I just happened to come back home while the truck was in front of my house & was going to leave it on the front porch. I did not have to sign for it, he just typed my last name in his gadget & said that was all he needed. It needs to be stressed to them about notification & just leaving it on the front porch when there's no one home.

Edward from Portsmouth

Thu, 09/10/2020 - 10:52

I've owned this guitar for a week and it's just the start of a beautiful friendship. The Opeongo presents so unpretentiously, no bling, and rings so true, what can I say, I couldn't be happier. Can't wait(will wait) for the two of us to settle in for a year or so. So glad I found you guys, many thanks.

Phillip from San Diego

Sat, 09/05/2020 - 10:23

I have only positive things to say about my new Opeong guitar. It is easy to play with a soft action, but none of the rattle that can sometimes come with that. The tone is beautiful, with plenty of volume for such a small guitar. I opted for the version with pickups, and that performs as well as my much more expensive Takamine. I cannot boast much talent as a player, but I can say that my playing has improved a lot with this guitar. I frequently visit Guitar Center and play Gibson, Taylor and Martin guitars at the $2000 to $5000 price range (just to dream of being worthy). This guitar is just as good as any of them. I have to give it a full complement of stars. I can’t see how it could be better.

Doug from Vancouver

Fri, 09/04/2020 - 13:01

Just to let you know that I have received my delivery on the 25th of August. I have been playing the guitar for the past few days and at first thought that it sounded just as I thought a small guitar would sound. If this had bee in a store I would have returned the guitar to it's location and moved on. After awhile it becomes apparent that there is more nuance to the tone than I had first thought. The tone grows on you. Thanks for a great guitar. I guess I won't be sending it back after all.

jim from o'fallon

Fri, 09/04/2020 - 10:32

Oh my Lord. We have eleven guitars in our house, a Taylor and Gretsch parlor, and this destroys both of them. Thank you for this wonderfully brilliantly designed loud, rich, luxurious guitar. We will not be returning it. Love, four guitar players in the Harris Household....

Greer from El Paso

Wed, 07/08/2020 - 12:02

My Opeongo OO size guitar arrived rapidly and in perfect condition. It’s wonderful to play, craftsmanship of construction is great, and setup was exactly as discussed. Communication with M&M about some questions has also been terrific. The whole purchase experience couldn’t have been better. Thanks.

Andrew from Alameda

Mon, 05/18/2020 - 20:48

Quick review of my Opeongo: Detailed, high-bar construction and materials. Lovely, balanced tones from the surprisingly rich low-end in a parlor instrument, to clear, present mids and highs. Despite the evident attention to visuals, the builders were obviously fiercely listening as they built this instrument. I know, over the top wordy, but these guys deserve some serious praise. Don't you dare tell them, but they could have doubled the price of this guitar and still found an enthusiastic public. Big kudos.

Iain Matthews Playing MacKenzie & Marr Opeongo

MacKenzie and Marr Opeongo - Harmonics and Overtones

The MacKenzie & Marr Opeongo in Open Tuning

Cécile Doo-Kingué plays the MacKenzie & Marr Opeongo

That Was Then

Back around the turn of the century (the 20th century that is), we'd sit down in the parlor after a hard day's work and pick out a few tunes. Those small body guitars were fun to play and sounded sweet. But time marched on - obviously to a different drummer - guitars grew in size to accommodate the need for "boomer" concert hall sound and our favourite OO size acoustics followed Gene Autry into the sunset. Building small guitars with a full, rich, resonant voice became a lost art. But............

This is Now

..........everything old becomes new again. The resurgence of small parlor style guitars is (pardon the oxymoron) huge. They're showing up everywhere, played by the cool dudes and dudettes. (You don't think Rodney Crowell is cool?). We first played a modern small body guitar made by a California company, whose name, looking north across Monterey Bay, shall remain nameless. It was love at first chord. But it wasn't cheap, and we quickly realized that OO guitars were either expensive and excellent or affordable and not very good at all. We took up the challenge of blending small with affordable and exceptional. It took three years, but we did it.

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